Wednesday, May 29, 2019
Georges Seurat - Hi Painting Essay -- essays research papers
Georges Seurat used the pointillism appeal and the use of color to make his picture show, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked dickens years on this moving-picture show, preparing it woth at least twenty drawings and forty color sketched. In these explorative drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved attitude depth, the long landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important value mentioning is the way Seurat used and created the figures in the painting.The famous painting A Sunday Afternoon on the Island of La Grande Jatte was painted between 1885-1886. The subject is an island newly take by the Parisian middle class as a place for quiet Sund ay gatherings. The painting reflexions very realistic. The figures and the way they are dressed look lifelike as does the beautiful landscape in the background. The colors and the painting style, pointillism, make this painting very realistic. The question is, how does Seurat go about making the painting look so lifelike?Pointillism was a major reason in why Seurats painting looks so lifelike. During the painting of La Grande Jatte, Seurat simplified his brushwork to such an finis that his painting seems to be composed of nothing but tiny, more or less circular dots. Seurat&8217s experiments with color led him to paint in low-pitched dots of color which are arranged in such combinations that they seem to vibrate. Individual colors tend to interact with those around them and fuse in the eye of the viewer. This approach is not unlike the dots or pixels in a computer image. If you magnify any computer image sufficently, you will see individual colors that, when get along together, produce an image. Seurat was interested in the way colors came about. With the enhancement of the luminousity of colors made possible by the investigation of scientific optics, he saw despotic merit in a method in which the movement of the brush no longer demanded the slightest skill &8216Here the hand is, in effect, useless, deceit unrealistic no room for bravura i... ... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem really real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the in good order, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, rattling at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.